Canon Elura 50
Tuesday, January 13th, 2004For users who are looking for a coat-pocket-size camcorder but don’t want to significantly compromise on performance and features, the Elura 50 strikes a good balance. Like the Elura 40MC it replaces, this 14.6-ounce unit is one of the smallest and lightest MiniDV camcorders available. Though video shot under low light looks a bit rough, Canon has again succeeded in cramming a solid consumer camcorder into a small space.
Design of Canon Elura 50
The Elura 50 is so trim and solidly constructed that you’ll have it with you in places you’d never bring an ordinary model. You can operate the vertically oriented camcorder easily with just your right hand, but you’ll likely steady your aim with your left. If you have large hands, the zoom switch may give you trouble; you’ll have to bend your finger to reach it.
Small doesn’t necessarily mean fragile. The metal-and-plastic case feels sturdy and tightly assembled. The controls should withstand a reasonable amount of abuse–unusual for a device this size–though the plastic band that tethers two of the connector covers will be difficult to repair if snapped.
The context-sensitive menus change according to whether you choose recording or playback, tape or card use, and the Program or Easy Recording mode. The result is uncluttered, quickly navigable menus. One minor irritant is that navigation requires you to alternate between a dial and two buttons. We prefer the mechanism on previous Canon camcorders: a single dial that doubles as a button.
Features of Canon Elura 50
If you’re familiar with the Elura 40MC, you’ll feel right at home with the Elura 50. It’s essentially the same camcorder with the digital-zoom range extended to 400X from 200X, a slow-shutter Super Night mode, and direct USB connection to more printers. The zoom increase is nothing to crow about; the resulting image consists almost entirely of noisy pixels. The Super Night mode has a tiny assist lamp that illuminates any subject within a few feet of the camera. That selection is best for close-ups in the dark, rather than nocturnal landscapes. Canon’s DV Messenger software enables the camcorder to serve as a USB Webcam.
For the point-and-shoot crowd, the Elura offers seven scene modes and fully automatic operation. More-advanced photographers can use exposure compensation, adjust the shutter speed (from 1/60 to 1/2,000 of a second), focus manually, and select the white-balance setting.
The 10X zoom lens suffices for most situations. If you’re capturing stills or MPEG video to a card, the range drops to 7.5X. You can save your pictures on SD/MMC media in VGA (640×480) or XGA (1,024×768) resolution, though the sensor’s effective photo resolution of 630,000 pixels falls short of the 786,432 pixels needed for a true XGA image. A progressive photo mode reduces blurring in shots of fast-moving subjects, but no such option is available for video. The camcorder also lacks an accessory shoe. Canon offers an optional adapter bracket, but it adds considerable bulk.
Performance of Canon Elura 50
Once you’re accustomed to the zoom switch, it offers reasonably precise control, and it’s certainly smoother than others we’ve tried. By varying our touch, we were able to zip through the range in as few as 1.7 seconds or drag out the adjustment for as long as 23 seconds.
With brightly lit exteriors, the Elura 50 focused quickly and accurately, but the focus didn’t entirely lock in some dim and low-contrast situations, even when we mounted the camera on a tripod. In general, the electronic image-stabilization system performed well; as with most of its kind, its biggest weakness is maintaining focus when you pan left and right.
The audio sounded clear and strong, though the top-mounted stereo microphone picks up the videographer’s voice more readily than a front-mounted mike would. Thankfully, the camera didn’t record any motor whine the way the Elura 40MC did, even when the ambient-noise level was low.
Considering the small size of the standard 570mAh lithium-ion battery, its life was adequate: 59 minutes when we worked with the LCD, 118 minutes when we used the viewfinder. Canon’s optional 1,200mAh cell lasts twice as long, but it protrudes an additional three-fourths of an inch from the camera. Both the 2-inch LCD and the viewfinder look sharp and are relatively easy to view in sunlight.
Image quality of Canon Elura 50
The Elura 50, like its predecessor, renders relatively rich, accurate colors in bright conditions. It also delivered excellent white balance on both the automatic and manual settings. In scenes with extremely light and dark subjects, we observed some loss of detail (not an unusual problem among consumer camcorders), but motion and compression artifacts, as well as video noise, were minimal.
In dim shooting situations, the camera didn’t perform as well. The low-light modes do an excellent job maintaining color saturation, but they reduce the shutter speed so much that they’re not very useful when there’s a lot of movement in the frame. The Elura 50’s peers have the same trouble. In general, low-light video looked noisier than what we’ve seen from some competitors.
The photo and MPEG-1 modes come in handy but have limited value. Outdoor pictures displayed the pleasing range of color and contrast typical of camcorder XGA-resolution shots, but also as usual, image quality didn’t match what you’d get from a comparable digital camera. The 320×2,400-pixel MPEG-1 captures were jerky and exhibited a considerable number of compression artifacts. But the results were perfectly acceptable for their intended use as videos small enough to e-mail.
The good: Very small and lightweight; excellent bright-light performance; uncluttered, context-sensitive menus.
The bad: Below-average low-light video quality; lacks accessory shoe.
The bottom line: This well-constructed and -designed camcorder fits into a coat pocket, but it delivers less than stellar low-light video.
Editors’ rating
Average
5.8 out of 10
Ratings explained
Design: 7
Features: 6
Performance: 6
Image quality: 6
Source:CNET
